This is a Lighting Breakdown for a high contrast, shadowy look. I also go over a few things in Color Correction and Color Grading to achieving this look in Davinci Resolve. Personally, I don't like too much "post contrast" or "post production contrast" so getting the contrast correct on set with the lighting is a must. This is how I would accomplish this look on my own projects. Some other videos where I show how I would accomplish different looks: Beauty Lighting Breakdown a

New vlog. Playing with a Cinematic Faded Look in Davinci Resolve - Vlog Episode 001 Now on Youtube - https://youtu.be/8IxJevTT3CA This is just something I was playing with and I wanted to document my thoughts. Keep in mind there is more than one way to do anything, so you may have another way and if you have a better technique, I'd love for you to share it here! #ColorGrading #ColorCorrection #cinematographer #tutorial #breakdown #filmmaking #colorcorrectiontutorial #colorgra

Here's a lighting breakdown from a commercial promo I DPed with Elizabeth Maphis. I go into the lighting breakdown of this shot, how we accomplished the lighting, as well as how I would color grade it. I hope this is helpful and if it is, please like and share the video as well as my page. More great content on the way on my Youtube channel as well as Facebook, including short films and filmmaking breakdowns! As always, I do these both as a way to share/give back and as a way

Lately I've been playing around with a soft shadow/soft contrast look after stumbling upon an article Panasonic put out about DP Bobby Shore shooting the series "Anne With An E" for Netflix. In the article and the videos I stumbled across, Shore states, “I don’t like anything Rec 709 related – it’s way too contrasty and colorful,” explains Shore. “I was basically trying to come up with a lower contrast LUT that still looked good. I was at Panavision setting up the camera and